So, last night i went to a concert about which I have been quite excited for a very long time. the band was
Explosions In The Sky and they played Tuesday 12 February, in Wellington at the San Francisco Bath House. A local band started everything off, then
Eluvium, EITS's touring buddy opened with a beautiful but lamentably short set. this dude played with just a keyboard, guitar, and a Mac running who knows what kind of software. beautiful sad ambient music, and he was really really into it.
... And then EITS came on.
First off, let me explain just how awesome this venue is.
It is small and cozy but not claustrophobic. I was stationed at the right of the stage at the absolute front. I was so close that i risked being hit in the face by a flailing guitar on more than one occasion. I could have manipulated the knobs on some of the FX pedals on stage. (oh by the way i counted a total of 19 pedals divided among three guitarists.) I was so close that i actually got sweated on by Munaf Rayani (the guitarist closest to me, also responsible for flailing guitar). The subwoofer at my knees made my legs feel a bit like jelly by the end of the show, but that was OK with me. Also, there was a cute little Texas State flag on the guitar amp (the band hails from Austin.)
So thus began the set. Munaf began by generating some noise and delay/feedback with one of those electric gadgets which shine a blue light on the guitar string and generate resonance for the pickups. they have a name, but i don't know what it is. after a few timid and beautiful moments, all hell broke loose in what i can only adequately describe as a genuine explosion of musical chaos. These dudes don't just stand and rock out. they jump and sway and flail and seize and rock out. FX pedals aren't there to be depressed as necessary. they are trampolines. these dudes take running jumps from the back of the stage and land on their pedals. I'm surprised the pedals are still functional. that notwithstanding, i now understand why every cable and lead going into or out of those FX banks was ducttaped into the pedal and every pedal was taped onto the floor. those things got some serious abuse.
this Explosions concert was to rock music as Critical Mass is to cycling. it was an all-out orgy of music. there was no time to breath. Actually, i think i had to stop and remember to keep breathing a few times, though that could have also just been the effect of the subwoofer knocking my wind out. for two solid hour the band played without stopping. sure individual members had quiet bits, but at no point during the entire two hour set was there silence. not once. They all had in-line tuners as part of their sundry pedals and devices and would re-tune every chance they had, usually about twice per song, though really it was tough to break up the set into individual songs, so it was more like whenever anyone had a quiet moment. At one point the bassist/guitarist (Michael James) broke a string on his guitar in the middle of a relatively climactic bit. This is not a particularly rare event, and obviously for this reason most live shows have a few backup guitars. However, unlike any other live show i've seen, he outright refused to use the backup. Instead he re-strung the guitar mid-set, while the rest of the band played on through a (extended for his benefit) quiet lull in the insanity. this took a few minutes and of course he had to re-tune. This reminded me instantly of the time I changed a flat tire in the middle of a critical mass while corking a street. this is also the origin of my CM metaphor.
So, after about two hours of non-stop epic post-rock, the set ended with one final chord fading into nothing, and the band left the stage. Sadly, they didn't play an encore, but considering the style of music they play and the nature of their non-stop set, i don't blame them. However, I didn't leave empty handed. I got Munaf's pick which he used through the entire set up until the last part of the last song, when dropped it so he could just pound the crap out of his guitar with his fists and eventually with the ground. So, yes, I now have a pick used in an EITS set. for guitar geeks out there (I am not one) the pick is a Jim Dunlop Nylon 0.60mm of a vague greyish colour.
and so, I returned home at a late-ish hour, exhausted and mind thoroughly blown. it was a good night. It will take a lot to top this show.